Showing posts with label Read This. Show all posts
Showing posts with label Read This. Show all posts

Tuesday, 16 June 2015

Book #12 The Versions Of Us by Laura Barnett

The Versions Of Us

My thanks to the publisher Weidenfeld & Nicolson for the complimentary copy of this book

Eva and Jim are students at Cambridge in the 1950's - a minor bicycle mishap causes them to collide one afternoon, and from there romance ensues, OR DOES IT? 

In essence The Versions Of Us is a love story with a Quantum element - the reader is shown all different possibilities occurring at once, in one Version, they meet and marry, in another meet and split up shortly after and in the third option they never meet at all. But which story has the best outcome for the couple? Which version is best, which version do you the Reader love the most?

I loved this book I really did. I loved both lead characters so much. Jim, the would-be creative stifled by family pressure to study Law and have a proper occupation, struck a chord and literally made my heart ache and continuously so; both in the versions he succeeds and in the ones were he makes a mess of his life. The observations around Jim's character in all possible outcomes are perfectly drawn. And in Eva's too. In one life the successful writer, in another, the barely visible wife of a Hollywood star, forced to devote herself to domesticity.

The versions themselves are distinct enough to genuinely BE different. For example, in every Version Jim and Eva have different children. I inhabited all three worlds with the same level of intensity. I was deeply wrapped up in it, and devoted to the idea, that sometimes some people are just made for one another come what may, and the stars which drove them apart will eventually pull them back together.

I have seen this novel compared to 'One Day' a book I didn't much care for, and so I feel like it's almost an insult! This book knocks spots off One Day, it's so much better, so much cleverer, so much more thoughtful and so much more real and believable. Eva and Jim won a place in my heart and the book is definitely one which I will re-read and buy as a gift for others. I want to read it again and read all versions individually just so that I can experience each as a solo story.

I recommend this particularly if you enjoy a love story that is above chick lit fare, or appreciate a love story done in a new way. I also think that those who loved Kate Atkinson's 'Life After Life' will love this.

A stunning debut by Laura Barnett, I can't wait to see what she does next 10/10       

Saturday, 20 July 2013

On My All Time Favourite Books (Part 1)

I've been running this blog since 2011 now and the books I review are all the books I read that month. I've never done a blogpost about my favourite novels. So, I thought I'd do one now! Though some of the books I've read over the course of the blog have earned a special place with me, like Genus, A Song Of Ice And Fire, The Crane Wife and Fingersmith, this post is just for the ones that have been with me some time.

Cry, The Beloved Country by Alan Paton

This novel has been my favourite novel since I was 14 years old. Written in 1948, during Apartheid in South Africa, I have read it easily more than 10 times. In this novel humble Stephen Kumalo is a pastor in a declining village which has struggled to cope with the coming of modern more Westernised society and the erosion of tribal culture. His sister, his brother and his son have all left the village for Johannesburg in hopes of a better life. Their contact with Stephen initially frequent, became sporadic and then vanished entirely. One day another priest from the city writes to Stephen and tells him his sister is ill and he must come to Johannesburg, and so begins a beautiful tale of forgiveness and redemption, beautiful not only in what it says but how it says it. In 18 yrs, I have not read a book that I deem better than it. 

Wuthering Heights by Emily Bronte and The Tenant Of Wildfell Hall by Anne Bronte

I wrote my university dissertation on these two novels, which was rather apt as I was living in Yorkshire at the time. Though Emily never married and rarely left her home, she managed to write a tale of incredible, though often dark, passion, between foster siblings Cathy Earnshaw and Heathcliff that both Charlotte and Anne were said to be horrified by. It is Anne's reaction that makes it all the more interesting. Anne and Emily were very close and The Tenant Of Wildfell Hall can be seen as both a companion and a response to Wuthering Heights as evidenced by 'The Key Of H' used in both novels. Anne's reaction was to write a novel removing all romance from the nature of a man like Heathcliff and accurately portray what a marriage to a man like that would be like in real life via the marriage of Helen Graham to Arthur Huntingdon. The lasting impression given by The Tenant Of Wildfell Hall is sheer astonishment that something as realistic as this was written in 1848. It caused a scandal at the time with writer Charles Kingsley saying "Every man should read this and every man should prevent his wife from reading this"- if Charlotte felt deep unease at Wuthering Heights she hated The Tenant Of Wildfell Hall, sought to suppress it both before and after Anne's death, and admitted if she had her way it would be destroyed. The contemporary distaste for it has led to a situation whereby Tenant is almost a "forgotten classic" - whilst Jane Eyre and Wuthering Heights often get celebratory editions, Tenant gets ignored. And it's the best of the three, a truly feminist novel, a long, long time before the concept of feminism even existed.

American Gods by Neil Gaiman

 In the world today, many people worship a god, be it the Christian deity, Allah or the many gods Hinduism offers. Once upon a time people worshipped the Greek Gods, the Egyptian Gods, the Norse Gods and other mythical beings. The question Neil Gaiman poses is : What happened to the gods that people stopped worshipping? And what a brilliant answer he offers, as protagonist Shadow leaves prison and goes on a journey of mythical discovery.

The Poisonwood Bible by Barbara Kingsolver

In 1959, Nathan Price travels to the Congo with a single minded determination to convert as many people to Christianity as he can, but he is a petty, cruel, zealot ill suited to the nature of his mission. He drags his wife and their four daughters along in his wake and the novel is their story. There's Rachel : shallow, vain and spoilt; Leah, wise, honest and eager, her disabled twin Adah, deeply cynical and deeply intelligent, and sunny child Ruth May, the baby of the family. This novel follows the fates of the four girls through to adulthood and is engrossing and heartbreaking and wonderful.

Gilead  and Home by Marilynne Robinson

I was introduced to Gilead and Home by Marilynne Robinson in 2009. Gilead won the 2005 Pulitzer Prize and is a novel in which dying preacher John Ames writes a letter about his life to his 7 year old son, often theological in tone, those who are not religious should not be put off, as it has so much to say about the human condition in general. What elevates Gilead to greatness is the inclusion of Home which followed, a novel set at exactly the same time, from the perspective of Glory Boughton the daughter of John Ames best friend. Home is the story of her childhood and reflects upon prodigal son of the family Jack who has recently returned. Home made me cry at least 3 times, Gilead needs to be read first as once you have that in your head, the ending of Home packs a devastating punch.

Norwegian Wood by Haruki Marukami

"I once had a girl, or should I say, she once had me" - Toru Watanabe is on a plane when he hears the famous Beatles song and is taken straight back to his youth, a time when he loved Naoko, the girlfriend of his best friend Kizuki. A modern day classic, Norwegian Wood is a story of teenage angst and depression set in Japan.


The Secret History by Donna Tartt

Richard is from California and comes from a very ordinary background, when he goes to a college in New England he finds himself an alien in an privileged world. He manages to force his way into an elitist group within an elitist place, becoming one of six students of Greek Language tutor Julian, and is drawn into a dark cerebral world.  It is hard to explain to those who haven't read it the sheer greatness of this novel, perhaps the best novel published during the 90s, the best novel about the transition between childhood to adulthood provided by university and the best novel about the struggles of intellectualism versus social opportunity. It remains a travesty that her second novel 'The Little Friend' was such a damn let down. Her third novel is due this year, I do wish she'd stop writing one novel per decade!


 
 TO BE CONTINUED   


Thursday, 11 July 2013

Book #42 The Crane Wife by Patrick Ness

The Crane Wife

Length Of Time In Possession : 3 months

I have previously read 4 of Patrick Ness's "young adult" novels, the dystopian trilogy Chaos Walking and A Monster Calls, a book about grief from the perspective of an adolescent. All of these novels are brilliant and well worth a read. This is his first foray into the adult market.

I feel I must state that I met Patrick at World Book Night in April and he signed my copy of The Crane Wife then, he was extremely lovely to both me and my friends, but this review is a genuine reflection of how I felt about the book.

The Crane Wife is a Japanese folk tale of which there are several variants, this one is 'Tsuru Nyobo" - a story in which a man finds and rescues an injured crane only to then enter a relationship with a mysterious stranger.

In this modern retelling of the story, all round ordinary nice guy George, who runs a small printing business, rescues a crane he finds in his garden. In the coming days a mystery woman, an artist named Kumiko, enters his shop, and they begin to date.

Kumiko's artwork created in conjunction with George begins to cause a sensation, but Kumiko has a secret.....

The Crane Wife reminded me of its predecessor 'A Monster Calls' in that it weaves contemporary life together with fable. This is a strength of Ness, and something I hope he continues to pursue in the way Gregory Maguire has with his fairy tale novels. By far the best written sequences of The Crane Wife are the fable sequences related to the crane and the volcano.

Again, like A Monster Calls, a certain line of the prose in The Crane Wife caught me and felled me entirely, on a personal level.

When literature does this : when it can resonate with you in terms of things you have felt on a personal level or if as in this case it gives language to feelings you knew you had inside but had been unable to express, it is magical, it is the beauty of the written word.

This book, at least to me personally, is magical and transformative and has enabled me to look at a situation I have experienced from a fresh angle, and this new perspective has been key to the beginning process of healing an old wound, my own arrow in my wing.

Once again, many thanks Patrick Ness : a round of applause.

Verdict : 10/10

Destination : Keeping this book  

 

Book #41 Life After Life by Kate Atkinson

Life After Life

Length Of Time In Possession : 4 months

Prior to reading Life After Life the only Kate Atkinson novels I had read were her Jackson Brodie private detective series beginning with Case Histories, a literary spin on the crime genre. I really liked those books, but had not managed to get "into" Behind The Scenes At The Museum when I tried it many, many years ago.

The premise of Life After Life (what if we could do it again and again until we got it right?) proved too enticing to me to resist. Instead of the Buddhist principle of moving from one life to another, this novel has more in common with parallel universe ideas and quantum theory : "Everything that can happen does happen" - the idea that you can go back and change your destiny from the point at which two paths were open to you.

Ursula is born on a snowy night in 1910, the midwife is unable to reach her mother, and Ursula does not survive. The novel rewinds, Ursula is born on a snowy night in 1910, she survives and goes on to grow up with her siblings Maurice and Pamela. At age 5 she drowns. Ursula is born on a snowy night in 1910.....and so on and so forth.

This novel is tremendously interesting : the impact of multiple lives begins to affect Ursula in her "next time around". She does things such as tell the maid Bridget her boyfriend is unfaithful or pushes her down the stairs. She does not know why she does this at the time, but in previous cycles, Bridget's relationship had dire consequences which Ursula instinctively knows she must prevent, but she is not psychic, and only has a vague idea, a deja vu.

Why do we, as people, experience deja vu? What is our mind REALLY trying to tell us? That vague sense of knowledge that we cannot quite grasp.....

There is also the idea that though destinies can change, certain things are set in stone. Elder brother Maurice is never anything more than despised, Auntie Izzy is always "a free spirit", Ursula always has a close bond with younger brother Teddy.

It reminded me about certain comments made in Doctor Who that some events are unalterable, but why them and not all? It's an intriguing question.

Who hasn't thought things like - what if I'd gone to a different university? What if that relationship had succeeded? What if I had been hit by that car that night? What would have changed? Who would I be, and would I still be the same me that I am now?

As a piece of prose the novel I thought this bore most comparison to was The Children's Book by AS Byatt, set within a similar era, a similar family and against the backdrop of history. There the likeness ends as they are very different novels, but I make the reference because I adored The Children's Book and equally loved Life After Life.

I thought this book was beautiful, eloquent and intelligent, both in terms of what it was saying and how it said it. I read this book in two sittings, and in a year when I've struggled to find things I've loved think this may be my book of 2013 thus far. I even wrote a poem inspired by it. Go buy it!

Verdict : 10/10 

Destination : Ebook storage

Monday, 1 July 2013

Book #39 1984 by George Orwell

1984

Length Of Time In Possession : 6 yrs minimum

1984 is the incredibly famous final work from George Orwell. Despite not having read it, I came to it feeling like I knew "too much" about it, simply because it has seeped into popular culture so much. Particularly for me, I'd had the novel completely spoilered by the BBC series done by Sebastian Faulks 'On Fiction' so I always knew the end and several aspects of the storyline which in a way was frustrating.

Somehow knowing what was coming added pathos to the novel for me in many areas. Winston Smith lives in a totalitarian regime which constantly reminded me of what is known of modern day North Korea, in many ways the novel, published in 1949, proves prophetic not just for societies like North Korea but also for our own.

In particular I wondered what Orwell would have made of the TV series that bears the name of omniscient overseer 'Big Brother' - basically a series which regularly exhibits the worst of society.
Again the series 'Room 101' a jocular take on a place which was, truly, the stuff of nightmares.

Winston Smith is a subversive living in Oceania : a conglomerate of the English speaking Western States perpetually at war with the others. Winston Smith seeks to be part of the revolution, and join 'The Brotherhood' those working against 'Big Brother'

There were parts of 1984 in terms of the prose that I really enjoyed. I particularly liked these quotes :

 "Why should it be intolerable unless one had some kind of ancestral memory that things had once been different?"

"Perhaps a lunatic was simply a minority of one. At one time it had been a sign of madness to believe that the Earth goes round the sun : today that the past is unalterable. He might be alone in holding that belief, and if alone, then a lunatic. But the thought of being a lunatic did not greatly trouble him : the horror was that he might also be wrong"

That last quote particularly I thought was sheer brilliance.

Where the experience of the novel faltered for me was the lengthy 25 page inclusion of the treatise of Emmanuel Goldstein which struck me as a polemic and a sociology lesson. At this point, I felt not that I was reading a novel for enjoyment but that I was back in Sixth Form studying for my A Levels.

All in all for me, this book is a permanent must read for the human race as a whole, not just for its content but for the prose of itself. Though I did know many of the things that came to pass, it did not stop me marvelling at how good this book is and how pertinent it remains today.

Verdict : 9/10

Destination : Pass on or charity shop 
 

Saturday, 31 December 2011

Book #100 Genus by Jonathan Trigell

Genus

As Genus stands proudly as Book #100 of the 100 books in a year challenge, I am glad of it, and glad I was able to finish on a high note. Genus by Jonathan Trigell, the acclaimed writer of Boy A is a great book, so good that halfway through it I messaged my one of my best friends on Facebook to tell her to get it whilst it remains 99p for the Kindle on Amazon.

Genus takes as its concept, a dystopian future London. A scientist who renamed himself Prometheus has taken the concept of the designer baby to its zenith. "Improving" ones genetics, buying add-ons and building ones child from the ground up, but, this kind of technology comes at a price, and has created an alarming new social scale, the rich, are now also the most beautiful, the healthiest and the most talented, what is left is the "scum" the disabled, the defective, and the working poor,  coralled into small areas of Britain, unprovided for.

The novel focuses on London's Kings Cross, now The Kross and  a variety of characters from this underworld: Dwarf artist Holman, policeman Gunt, drug runner Valentine, blind war veteran Crick, gang member Quigley and assorted other people from the social bottom rung, and a select few from  the top.

This novel was published at the end of July this year and would have been written and complete to go to press some months before that. Therefore Trigell himself must have been chilled to the bone when a section of the novel which now seems more like premonition than future prediction  came true on the streets of London in August. In an eerie replica of the summer riots, shops are looted and buildings burned out, this isn't a vision of things to come, the future is now. I think it was this section of the novel which tipped it over into "something special" land for me, I mean it's so on the pulse it's living. In addition, the characters are likeable, particularly Gunt and Holman, so as to hold your attention upon the novel. I was already imagining the movie version with Peter Dinklage that would be brilliant.

The eradication of genetic defect seems like a marvellous thing the future could grant us, but Trigell truly succeeds in making clear the very dark end game involved in meddling with nature, belief in God or otherwise with a cracking warning shot from our own history at its close.

I am so glad that Genus was my final book of 2011 so I could end on a high. Read Genus Please. 10/10

Tuesday, 5 July 2011

Book #57 Fingersmith by Sarah Waters

Fingersmith

It was late when I finished Ann Patchett's State Of Wonder, but, I was suffering from insomnia and decided to start Fingersmith. I didn't sleep last night. At all. I've always thought that reviewers who claimed a book kept them up all night were at best sycophantic and at worst writing pieces of wild cliches and hyperbole. And then I read Fingersmith.

Right from the start you feel not as reader but as genuine observer. The dialogue makes the voices ring clear and true in your mind. I've always loved nineteenth century literature, and Fingersmith feels like reading a cross between a Dickens and an Austen. All the rogues normally found in the works of either writer are present and correct, drawing room society, damsels in distress, low level ne'er do wells and the charming Gentleman fallen upon hard times who may not be all he seems; but Waters is able by writing in the modern era to turn things up a notch by writing about topics with a frankness unthinkable from her literary forebears.

The plot is just magnificent, a confidence trick within a confidence trick within a...like a set of Russian Dolls. It begins with Sue: raised by scam artists who do what they must to get by, Sue is enlisted by  "Gentleman" to assist him in the ensnaring of a young lady of good fortune by posing as a lady's maid. That alone sets us off on a fascinating adventure of both guile and cruelty, but the turns that await Sue and her mistress Maud are as unexpected for the reader as they are for the characters.

It would be spoiling it to give any further information on the plot than this, I don't even really want to comment on some of the revelations that await for fear of giving some of the enjoyment away.
The story told in part by Sue and in part by Maud is charmingly done in both parts, and in the end you feel for both girls equally.

The world of nineteenth century London is revealed to be a truly sinister and hellish place for women particularly and there is a real sense of the macabre, especially when the tricks begin to pay off for the truly villainous "Gentleman"and his associates.  

I must confess that when Sarah Waters first began to gain notice, I somewhat wrote her off as somebody who was (apparently) attempting to pass off overt erotica as literature for headlines and notoriety. Sex for the sake of sex. The experience of reading Fingersmith ought to teach me once and for all to always ignore the views of The Daily Fail. The sexual elements of this novel are not only essential to both plot and characterisation, but are reflected in a tasteful and legitimately artistic way.

Sometime ago, a friend and I were in Waterstones one night when Sarah Waters made an appearance for an evening Q and A. Having not read any of her work, I was disinterested in her and it. Having just spent the last 24 hours engrossed in her novel and thrilled by every page, I must confess myself completely and utterly gutted at having missed an opportunity of meeting her, but to have met her without having read Fingersmith would be akin to meeting a hero who was yet to save you, you would have no idea just how great they would be one day, and so would not remark upon them at all. Hindsight is a great if bittersweet thing.

A new literary hero. Wonderful. Now, I need sleep. Read This Now: 10/10

Saturday, 2 July 2011

Book #55 The End Of Mr Y by Scarlett Thomas

The End Of Mr Y

I want to say right from the start that I thought The End Of Mr Y was brilliant. As soon as I started reading it I felt like this was a book I was meant to read. To borrow a popular film quote : "It had me at hello". The protagonist Ariel Monto is an English Literature graduate, with a recent burgeoning interest in theoretical physics. This immediately struck a chord with me on a personal level. When we meet Ariel she is a Phd student at an unnamed London university with an interest in little-known 18th century author Thomas E Lumas. Lumas wrote among others a novel called The End Of Mr Y, after which our novel takes its title. The novel is rare and there are but few copies in existence, it is also rumoured to be cursed.

The first section of the book is really the novel at its best. I was taken with much of the writing, and enjoyed many individual quotes about physics and other things, for example :
I didn't go further and say that I want to know everything because of the high probability that if you know everything there'll be something to actually believe in.
 Or this description about the weather :
Monday morning and the sky is the colour of sad weddings.

Or the description of a feeling Ariel experiences :
On days like this I do not feel afraid of death or pain. I don't know if it's tiredness, the book, or even the curse, but today as I walk through this housing estate, there's a feeling inside me like the potential nuclear fission of every atom in my body: a chain reaction of energy that could take me to the limits of everything. As I walk along, I almost desire some kind of violence: to live, to die, just for the experience of it. I'm so hyped up that suddenly I want to fuck the world or be fucked by it. Yes, I want to be penetrated by the shrapnel of a million explosions. I want to see my own blood.
I don't know whether others will like these quotes, but personally I found them insightful. I could have sat here and listed many other quotes but I decided to stop at 3.

There was just a lot I liked about the opening of this book, the elusive cursed book, the academic setting and the character of Ariel herself, someone I felt I understood. I believe that detractors of this book have called it pretentious and pseudo-intellectual, but, having so recently levelled that accusation at Ali Smith's 'There But For The' I can safely say that Scarlett Thomas's 'The End Of Mr Y' bears no comparison to it. Instead, my position is that the book is incredibly intelligent and so is, clearly, its author. Where it succeeds and mightily over the former book, is that its storytelling is king. It is not a book trying to be clever, making some redundant point about society that might have been interesting ten years ago, it is actually genuinely clever. For there to be a fictional tale about a woman on a journey of discovery in a fourth dimension, a fantasy, magical realism tale; that pulls off discussions on quantum physics and philosophy, existential and otherwise, making them integral to as opposed to harming the story is a feat indeed. However, if you don't want your mind seriously taxed by difficult questions of science and existence, it would be best avoided.

The middle third is somewhat difficult bearing the similarities it did to 1980's computer games and virtual reality with shades of the 1999 film 'The Matrix'. It faltered somewhat for me in this section, though I did like the concept of "Pedesis" which is brought in at this stage.

Though I have seen criticism of the ending and expected something awful I was blown away by it. Whilst looking back near the beginning of the book after completion, I noticed a foreshadowing that I had not done on the first read. This book is ABSOLUTELY a novel which bears re-reading, not least for its philosophical and theoretical concepts which are worth further exploration. I read Paradise Lost about a year ago, and this book along with others I have read this year including Mirror, Mirror and The Vintner's Luck has clearly taken some inspiration from Milton's epic poem. I think once you've read a classic like Milton you start to see his impact everywhere. I loved the ending, loved it, and would argue down and defend it against detractors.

Responses to The End Of Mr Y are very clearly polarised and I would say that this is a book you will either fall in love with or detest, fortunately I am of the former camp. And though reader responses to Thomas's other novels 'Popco' and 'Our Tragic Universe' are equally polarised I look forward to reading them with serious enthusiasm.

For me this is a Read This: 10/10 book, but I have the objectivity to recognise that for some people this book may be the exact opposite.

Saturday, 25 June 2011

Reflections at the Halfway Point

On completing Nigel Farndale's 'The Blasphemer' I have now reached 50 books and am officially halfway through the challenge. I have made it to 50 before the end of the first 6 months and am slightly ahead of myself now. As far as the challenge has been going for me, May was particularly difficult, I realised that I was slightly behind and towards the end of May became stressed out about needing to read to keep the pace going. Reading because of necessity rather than desire can somewhat spoil your enjoyment of the book, so the challenge has had to a degree that effect, though June has been much calmer.

I have noted however that of the 50 books I have read just TWELVE have been written by female authors, as a woman with writing aspirations I feel I must remedy this forthwith and have set myself a challenge within a challenge to make sure that the next 10 books I read are by women. This resolve however may be jeopardised by the forthcoming release of the fifth A Song Of Ice And Fire book, George R.R Martin's 'A Dance With Dragons' on 12th July. Which gives me 17 days to read 10 books. Pressure.

In terms of the Don't Read That Read This aspect the Top 10 Read This books would be as follows:

1) A Game Of Thrones (and then its sequels)
2) The Vintner's Luck
3) Lady Chatterley's Lover
4) The Things They Carried
5) My Antonia
6) Rivers Of London
7) A Monster Calls
8) The Art Of Racing In The Rain
9) Physics Of The Impossible
10) The Immortal Life Of Henrietta Lacks

In the Don't Read That Corner - Top 10

1) The Obelisk
2) Crow Country
3) The Good Man Jesus and The Scoundrel Christ
4) The Year Of Magical Thinking
5) The Patience Stone
6) Joe Gould's Secret
7) The Girl With Glass Feet
8) The Blasphemer
9) The New York Trilogy
10) One Day

with everything else falling somewhere in between the two and being classified as average.

Anyhow enough typing, back to reading. Let us see what the female authors I've chosen have to say for themselves. Here come the girls.