All Fall Down
Length Of Time In Possession : Roughly 1 month
All Fall Down from the Voss/Edwards writing duo is the follow up to Catch Your Death and returns to the lives of the protagonists of that novel Kate Maddox and Paul Wilson. Kate, virologist and Watoto virus expert is called upon by the FBI when a strain of the virus breaks out on a Native American reservation. Partner Paul follows her to America and does some freelance investigating of his own still seeking explanations and retribution for the death of his twin Stephen.
The third novel from the Voss/Edwards team All Fall Down shows a positive strengthening of their partnership, faster, tauter, and an improvement in terms of their prose from Catch Your Death, the two writers have obviously become more comfortable with each other and the unusual demands of writing as a double act as a continuing professional development.
I was worried that Paul would feel somehow out of place or redundant but his storyline manages to maintain plausibility within an implausible circumstance.
I say this, because in summary of All Fall Down, it is a story in which a religious cult of lesbians attempt to provoke an apocalypse by means of biological terrorism. A snuff threesome occurs before page 150.
If this sounds silly, it's because it is, but it by no means harms the fun thriller purpose of the novel, in many ways this is the product for sale, a giddy race against time with a level of James Bond esque silliness expected from an action film. The moment when the girls break into the secret lab is particularly worthy of any Hollywood blockbuster in terms of the imagery you conjur up in your mind.
I have but one criticism : Jack. Imperiled Jack in this second novel is suffering from a case of Kim Bauer Syndrome, a reference which only 24 fans will truly understand, but reminded me of the second season in which Kim is needlessly hiding behind bins, being chased by coyotes and accidentally caught up in a shop robbery. The way in which Jack collides with characters first met by Paul is overly coincidental. Let Jack be happy at home with his LEGO next time.
I would recommend making sure you've read Catch Your Death first, and hey if you don't think a mad lesbian trying to wipe out civilization is the most original premise you've heard in some time, feel free to let me know of others you have heard of!
I really liked their novel Killing Cupid and the forthcoming novel Forward Slash looks like it is similarly formatted so I'm really looking forward to that.
Destination : Passed on to a friend
Showing posts with label Mark Edwards. Show all posts
Showing posts with label Mark Edwards. Show all posts
Tuesday, 22 January 2013
Monday, 9 July 2012
Book #61 Killing Cupid by Louise Voss and Mark Edwards
Killing Cupid
Killing Cupid from the Voss/Edwards writing duo is the story of wannabee writer Alex, who develops an unhealthy obsession with his tutor Siobhan, and believing he is in love begins to stalk her. Separate chapters cover Alex's viewpoint of the story and then Siobhan's as the story develops.
The thing with this novel as a single woman and a woman who lives alone, is that it does give you the actual creeps as you read it. He lurks in her house unseen, hiding in her wardrobe, he deletes an email which would positively effect her career, and buys her gifts with her own credit card. Alex is a seriously delusional human being who thinks of the day when she "invites him to move in" not as a fantasy or hope but states it in his journal as a certain fact. This is a good portrait of a stalker who in almost every case genuinely believe the object of their affection does or could welcome their attentions.
But, as Alex's behaviour pushes Siobhan to crack under the strain, her own breakdown brings about a whole new chain of events.
The central intelligence of Killing Cupid is that it takes what would commonly be known as the standard chick lit plot "boy meets girl, misunderstandings and obstacles ensue, happy ending" and perverts it making it a subversive version of that sort of novel, like a twisted reflection in a black mirror, the dark side of human emotion. It's like an anti-chick lit, chick lit, behaviours that can seem endearing in those sorts of novels, finding out where someone lives to try and "bump into them" become not the sweet fare of a Hugh Grant love story, but a woman's worst nightmare.
I also found Siobhan's initial response to Alex's withdrawal believable, what woman hasn't felt threatened when someone who said they were in love with you, seems to move on with someone you view as lesser? I think all women have felt that.
Naturally, at the extreme ends of the novel, particularly the end there is a lack of credulity, but in a way this is a necessary evil to complete the journey of the happy go lucky romcom novel through a distorted lens into a murky, seedy world of misfits and danger.
I really enjoyed this novel, the questions it posed about human responses and Alex freaked me out which he was duly supposed to do. I can think of people I know who would like this novel too, and can see why it would be popular. 9/10
Killing Cupid from the Voss/Edwards writing duo is the story of wannabee writer Alex, who develops an unhealthy obsession with his tutor Siobhan, and believing he is in love begins to stalk her. Separate chapters cover Alex's viewpoint of the story and then Siobhan's as the story develops.
The thing with this novel as a single woman and a woman who lives alone, is that it does give you the actual creeps as you read it. He lurks in her house unseen, hiding in her wardrobe, he deletes an email which would positively effect her career, and buys her gifts with her own credit card. Alex is a seriously delusional human being who thinks of the day when she "invites him to move in" not as a fantasy or hope but states it in his journal as a certain fact. This is a good portrait of a stalker who in almost every case genuinely believe the object of their affection does or could welcome their attentions.
But, as Alex's behaviour pushes Siobhan to crack under the strain, her own breakdown brings about a whole new chain of events.
The central intelligence of Killing Cupid is that it takes what would commonly be known as the standard chick lit plot "boy meets girl, misunderstandings and obstacles ensue, happy ending" and perverts it making it a subversive version of that sort of novel, like a twisted reflection in a black mirror, the dark side of human emotion. It's like an anti-chick lit, chick lit, behaviours that can seem endearing in those sorts of novels, finding out where someone lives to try and "bump into them" become not the sweet fare of a Hugh Grant love story, but a woman's worst nightmare.
I also found Siobhan's initial response to Alex's withdrawal believable, what woman hasn't felt threatened when someone who said they were in love with you, seems to move on with someone you view as lesser? I think all women have felt that.
Naturally, at the extreme ends of the novel, particularly the end there is a lack of credulity, but in a way this is a necessary evil to complete the journey of the happy go lucky romcom novel through a distorted lens into a murky, seedy world of misfits and danger.
I really enjoyed this novel, the questions it posed about human responses and Alex freaked me out which he was duly supposed to do. I can think of people I know who would like this novel too, and can see why it would be popular. 9/10
Wednesday, 22 February 2012
Book #19 Catch Your Death by Louise Voss and Mark Edwards
Catch Your Death
Catch Your Death is a crime thriller by writing duo Louise Voss and Mark Edwards who met after Voss, already a published novelist empathised with his struggle as a writer following a TV documentary. Unlike other duos like PJ Tracy or Josie Lloyd and Emlyn Rees, Voss and Edwards are neither related nor a couple, which makes them a tad unusual in collaborative fiction.
In Catch Your Death, Kate returns to the UK from a life in America after over a decade abroad . She has no plans to return and has essentially abducted her young son. You would think then that this would be the story, but it isn't, or at least it's only part of it. When Kate left all those years ago, she left behind a tragedy, and memories of an accident that make no sense. A fire at a research unit where she volunteered, a fire which killed her beloved boyfriend Stephen.
What Kate doesn't realise is that her knowledge of her days there make her a threat and subsequently a target. Whilst being hunted she pairs up with Stephen's twin Paul and the duo set out to discover what really happened to Stephen all those years ago.
Catch Your Death taps in to what I feel is this really current underlying fear within society, that the next big threat to humanity will come from bioterrorism. Across media from film to television to novels, an apocalypse created by mass but not entire human extinction really is in the zeitgeist of the moment. I'm thinking of Contagion, Survivors, and all the different variations of zombie disasters. It is a known fact that scientists across the world grow and manipulate viruses in labs, and now awareness of this is really becoming part of the collective psyche, after 30 years which have brought us AIDS, CJD, H1N1 and SARS, that a truly pandemic truly decimating illness could spread very easily throughout the global village. The subject of this novel is a viable and therefore extra scary threat.
Sampson one of the two main villains of this piece is one of the most chilling individuals I've come across in fiction. So evil that I would class him as being truly inhuman he is a man to have some serious nightmares about. His superior Gaunt is like one of these mad James Bond evil genius types, a tad over the top but fun nonetheless.
Sometimes when you read a book the characters and events sprout your own creative imagination, and personally I would have gone down a completely different road with the character Paul. It's not a criticism more a choose your own adventure type thing. I'm not saying my storyline would have been better, just I enjoyed imagining how it would have changed it.
One of the impressive aspects of this book is the seamless authorial voice and style, without the front cover telling you so, you would not guess it was the work of two people.
I think that Catch Your Death is a great read if you are going off on holiday and want to freak yourself out on the journey, it's what this sort of thriller is perfect for. Also, it's only 99p on Kindle, and for under a pound it's really well worth it.
Catch Your Death is a crime thriller by writing duo Louise Voss and Mark Edwards who met after Voss, already a published novelist empathised with his struggle as a writer following a TV documentary. Unlike other duos like PJ Tracy or Josie Lloyd and Emlyn Rees, Voss and Edwards are neither related nor a couple, which makes them a tad unusual in collaborative fiction.
In Catch Your Death, Kate returns to the UK from a life in America after over a decade abroad . She has no plans to return and has essentially abducted her young son. You would think then that this would be the story, but it isn't, or at least it's only part of it. When Kate left all those years ago, she left behind a tragedy, and memories of an accident that make no sense. A fire at a research unit where she volunteered, a fire which killed her beloved boyfriend Stephen.
What Kate doesn't realise is that her knowledge of her days there make her a threat and subsequently a target. Whilst being hunted she pairs up with Stephen's twin Paul and the duo set out to discover what really happened to Stephen all those years ago.
Catch Your Death taps in to what I feel is this really current underlying fear within society, that the next big threat to humanity will come from bioterrorism. Across media from film to television to novels, an apocalypse created by mass but not entire human extinction really is in the zeitgeist of the moment. I'm thinking of Contagion, Survivors, and all the different variations of zombie disasters. It is a known fact that scientists across the world grow and manipulate viruses in labs, and now awareness of this is really becoming part of the collective psyche, after 30 years which have brought us AIDS, CJD, H1N1 and SARS, that a truly pandemic truly decimating illness could spread very easily throughout the global village. The subject of this novel is a viable and therefore extra scary threat.
Sampson one of the two main villains of this piece is one of the most chilling individuals I've come across in fiction. So evil that I would class him as being truly inhuman he is a man to have some serious nightmares about. His superior Gaunt is like one of these mad James Bond evil genius types, a tad over the top but fun nonetheless.
Sometimes when you read a book the characters and events sprout your own creative imagination, and personally I would have gone down a completely different road with the character Paul. It's not a criticism more a choose your own adventure type thing. I'm not saying my storyline would have been better, just I enjoyed imagining how it would have changed it.
One of the impressive aspects of this book is the seamless authorial voice and style, without the front cover telling you so, you would not guess it was the work of two people.
I think that Catch Your Death is a great read if you are going off on holiday and want to freak yourself out on the journey, it's what this sort of thriller is perfect for. Also, it's only 99p on Kindle, and for under a pound it's really well worth it.
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