Secrecy
I chose Secrecy in a rush in a train station bookshop, I liked the title and the blurb sounded good. Wax sculptor Zummo who is from Sicily takes a commission at the court of the Grand Duke Of Tuscany in 1691 and finds himself in a world of intrigue.
The book seemed terribly promising, great endorsements on the cover and a raft of 5 stars on Amazon and was also the Radio 4 Book At Bedtime. If anything this books publisher has done an incredibly successful PR campaign in promoting the book but I confess I found myself baffled by it.
It gets off to a good start, I particularly liked the writing near the beginning, but somehow it just all started slipping away at great speed after say page 100.
A lot of it has no substance, the villain of the piece just isn't remotely fleshed out and we are I think left to infer much from very little. It's as though through the fact that "He's a Dominican Monk" we are meant to infer not only his entire personality, but the entire point and purpose of his schemes, which I felt never really held much water in terms of practical motive. It was a bit Dan Brown School Of Writing.
Other bizarre things happen like Zummo meets a girl he fancies in passing twice and she suddenly randomly sends him the 17th Century equivalent of Viagra. Huh?!
Secondary characters serve little purpose either. One character is brought in only apparently to be attacked at a later date to illustrate that the Monks already pretty unlikely vendetta has escalated to such a degree that he went after Zummo's friends. None of Zummo's relationships feel genuine or possess depth and seem to exist purely as plot devices.
The denouement too is very very strange and lacking entirely in credibility.
In many ways this novel as a personal reading experience suffered in being read in too close a proximity to Ghana Must Go. The two novels are completely different yet Secrecy felt like it stood in the former books shadow in terms of how the quality and style of the plot and prose shone.
I think the best word I can use to describe this book is 'flimsy' - it just feels silly and without much weight.
6/10
Showing posts with label Florence. Show all posts
Showing posts with label Florence. Show all posts
Friday, 31 January 2014
Monday, 4 April 2011
Book #20 Mirror Mirror by Gregory Maguire
Mirror Mirror
Gregory Maguire is Wicked. Literally. He is the author of the novel Wicked, a re-imagining of the Wizard Of Oz story told from the perspective of Elphaba, Wicked Witch of the West. The novel then spawned the award-winning Broadway and West End musical of the same name. I adore both.
Therefore, picking up Mirror Mirror in the bookshop was not a hard sell. As Maguire in general writes updated or unusual versions of old fairy stories, it only took the title for me to conclude that the Snow White story must be the basis of this novel "Mirror Mirror on the Wall, who's the fairest of them all?"
I didn't read the back cover.
This is where it gets a bit weird, I plan to go to Florence in May, and was discussing it and aspects of Italian history when The Borgias, a powerful Italian family from the 16th Century came up.
Mainly because Showtime have replaced their exceptionally silly but good value "history" series 'The Tudors' with a new series about this family. Rodrigo Borgia, who became Pope Alexander VI infamously had 7 illegitimate children, among them Cesare and Lucrezia Borgia, and the surname became a byword for general debauchery and villany.
After this conversation, I pulled my copy of Mirror Mirror out of the bag, turned to the back and found that fictionalized versions of Cesare and Lucrezia Borgia appear in this novel. Freaky or what? It is what Jung termed a 'synchronicity of chance'. I seemed oddly destined to read it.
At university I studied Angela Carter's The Bloody Chamber short stories, which themselves are modern re-tellings of fairy stories, or children's tales. I hate to say it given that Carter is highly regarded and I'm sure many would disagree but I think Maguire does it better. He's more accessible, he retains more of a fable like quality to his prose, and he seems to genuinely love the topic he's chosen to make himself known for: classic stories retold in new ways. Carter on the other hand seemed to be engaged in a writers experiment, to me, anyway.
Although it's Snow White and would be a comfortable read for a mature young adult, it's not a kids story, absolutely not, it's an adult version of the tale. Although there are dwarves, one is called Heartless and another Gimpy, there are no Dopey and Doc here. Having The Borgia siblings as characters brings all the seediness of their world : incest, murder and greed. Lucrezia steps in to play the Wicked Stepmother role whilst Cesare provides the storyline which leads to Maguire's Snow White: Bianca De Nevada being left parentless.
There is a school of thought which suggests that some of The Borgias Lucrezia particularly have had their personalities maligned by history, and by the urban myths that sprang up around their family. I don't know enough about this point to argue it. What is quite clever is that a 16th century woman was required to be evil, and rather than go down the traditional road with the story of a wicked parent/guardian, so overdone in practically every genre from Dickens to Harry Potter; Maguire chose to use a woman from history with an already established reputation.
I didn't LOVE this book, the way I LOVE Wicked, but it's really enjoyable to read and cleverly written. I would recommend this book to anyone who likes old stories told in new ways, anyone who liked Wicked either the novel or musical or anyone who just fancies something a bit different for a change.
8/10
Gregory Maguire is Wicked. Literally. He is the author of the novel Wicked, a re-imagining of the Wizard Of Oz story told from the perspective of Elphaba, Wicked Witch of the West. The novel then spawned the award-winning Broadway and West End musical of the same name. I adore both.
Therefore, picking up Mirror Mirror in the bookshop was not a hard sell. As Maguire in general writes updated or unusual versions of old fairy stories, it only took the title for me to conclude that the Snow White story must be the basis of this novel "Mirror Mirror on the Wall, who's the fairest of them all?"
I didn't read the back cover.
This is where it gets a bit weird, I plan to go to Florence in May, and was discussing it and aspects of Italian history when The Borgias, a powerful Italian family from the 16th Century came up.
Mainly because Showtime have replaced their exceptionally silly but good value "history" series 'The Tudors' with a new series about this family. Rodrigo Borgia, who became Pope Alexander VI infamously had 7 illegitimate children, among them Cesare and Lucrezia Borgia, and the surname became a byword for general debauchery and villany.
After this conversation, I pulled my copy of Mirror Mirror out of the bag, turned to the back and found that fictionalized versions of Cesare and Lucrezia Borgia appear in this novel. Freaky or what? It is what Jung termed a 'synchronicity of chance'. I seemed oddly destined to read it.
At university I studied Angela Carter's The Bloody Chamber short stories, which themselves are modern re-tellings of fairy stories, or children's tales. I hate to say it given that Carter is highly regarded and I'm sure many would disagree but I think Maguire does it better. He's more accessible, he retains more of a fable like quality to his prose, and he seems to genuinely love the topic he's chosen to make himself known for: classic stories retold in new ways. Carter on the other hand seemed to be engaged in a writers experiment, to me, anyway.
Although it's Snow White and would be a comfortable read for a mature young adult, it's not a kids story, absolutely not, it's an adult version of the tale. Although there are dwarves, one is called Heartless and another Gimpy, there are no Dopey and Doc here. Having The Borgia siblings as characters brings all the seediness of their world : incest, murder and greed. Lucrezia steps in to play the Wicked Stepmother role whilst Cesare provides the storyline which leads to Maguire's Snow White: Bianca De Nevada being left parentless.
There is a school of thought which suggests that some of The Borgias Lucrezia particularly have had their personalities maligned by history, and by the urban myths that sprang up around their family. I don't know enough about this point to argue it. What is quite clever is that a 16th century woman was required to be evil, and rather than go down the traditional road with the story of a wicked parent/guardian, so overdone in practically every genre from Dickens to Harry Potter; Maguire chose to use a woman from history with an already established reputation.
I didn't LOVE this book, the way I LOVE Wicked, but it's really enjoyable to read and cleverly written. I would recommend this book to anyone who likes old stories told in new ways, anyone who liked Wicked either the novel or musical or anyone who just fancies something a bit different for a change.
8/10
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